All Makart, Hans Oil Paintings

Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work
 

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Makart, Hans Abundantia oil on canvas


Abundantia
Abundantia
Painting ID::  70867
  Medium Oil on canvas
  Medium Oil on canvas

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Makart, Hans Portrat Dora Fournier oil on canvas


Portrat Dora Fournier
Portrat Dora Fournier
Painting ID::  81729
  Deutsch: Öl auf Holz Dimensions 145.5 x 93 cm (57.3 x 36.6 in) cyf
  Deutsch: Öl auf Holz Dimensions 145.5 x 93 cm (57.3 x 36.6 in) cyf

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Makart, Hans An Egyptian Princess oil on canvas


An Egyptian Princess
An Egyptian Princess
Painting ID::  86294
  Oil on panel, Private Collection Date 1875(1875) cyf
  Oil on panel, Private Collection Date 1875(1875) cyf

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     Makart, Hans
     Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work

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